photo: john sears · cc by-sa 4.0 ↗Anderson .Paak (Brandon Paak Anderson) grew up drumming at his family's Oxnard, California church before building a genre-blurring catalog that fuses hip-hop, funk, soul and G-funk with his own live-band musicianship. He broke through as a singer, rapper and drummer with Venice (2014) and Malibu (2016), then deepened his ties to West Coast hip-hop as a protégé of Dr. Dre on Oxnard (2018) before winning Grammys both solo (Ventura, Bubblin) and as one half of Silk Sonic with Bruno Mars. His sound is a walking argument that the drummer's chair and the frontman's mic can belong to the same person.
.Paak has said he came to Dilla late but then couldn't listen to anything else, and it reshaped how loose and 'wrong-feeling' he'd let his own pocket get — the lurching, unquantized drum feel that defines Dilla's beat tapes turns up in .Paak's own drumming and in the hazy, sample-warm production he and Knxwledge built as NxWorries.
listen forCue Dilla's 'Won't Do' — woozy, half-sung, the beat dragging just behind the vocal — then play NxWorries' 'Sidepiece', where .Paak sings a line straight out of 'Won't Do' as a direct homage. Once you catch the reference, the whole NxWorries record starts to sound like a conversation with Dilla's ghost.
.Paak has repeatedly named D'Angelo among his defining influences, and critics hear it too: reviewers described Malibu as updating the 'muted grooves' of Soulquarians-era landmarks like Voodoo, with .Paak and his band the Free Nationals digging into that same 'chicken grease' funk pocket — behind-the-beat guitar, murky low end, a vocal that slides instead of snapping to the grid.
listen forDrop the needle on D'Angelo's 'Chicken Grease' — all lurching, unhurried funk and mumbled falsetto — then go to .Paak's 'Silicon Valley', a Malibu ballad reviewers singled out as sounding like a lost cut from a Voodoo session. Listen for how both let the groove stay loose and unresolved instead of locking down.
Dre heard .Paak's 'Suede' off his self-released Venice, brought him in to sing on six tracks of Compton (2015), then signed him to Aftermath and executive-produced Oxnard (2018) — an album .Paak has said was made 'under the tutelage' of Dre and that leans hard into early-'90s G-funk, the sound Dre invented.
listen forPlay Dre's 'Nuthin' but a 'G' Thang' — the whining synth lead, the unhurried West Coast bounce — then put on .Paak's 'Tints' with Kendrick Lamar, an Oxnard single soaked in that same G-funk lean-back groove but filtered through .Paak's live-band, singing-drummer energy.