tributary

The Killers

sourcesWikipedia2

The Killers formed in Las Vegas in 2001 around singer-keyboardist Brandon Flowers and guitarist Dave Keuning, taking their name from a fictional band depicted in the music video for New Order's 'Crystal.' Their 2004 debut 'Hot Fuss' paired glossy new-wave synths with anthemic guitar hooks on singles like 'Mr. Brightside' and 'Somebody Told Me,' and the 2006 follow-up 'Sam's Town' pivoted toward widescreen American heartland rock. They became one of the defining arena-rock acts of the 2000s, fusing British post-punk and synth-pop with Springsteen-scale Americana.

the sound in question
2003
Mr. BrightsideThe Killers
walk the tributaries ↓
New Order1980s · Synth-pop / Dance-rock / New wave

The band took its very name from a fictional group shown in the video for New Order's 'Crystal,' and Flowers has often pointed to New Order's fusion of guitars with sequenced synths as a template; the danceable, synth-forward pulse under the Killers' early singles openly descends from it.

listen: upstream & here
1986
Bizarre Love TriangleNew Order
2004
Somebody Told MeThe Killers

listen forThrow on New Order's 'Bizarre Love Triangle' right before 'Somebody Told Me' and listen for the same trick — a chugging, melodic synth line and an insistent dance drive pushing a rock chorus onto the floor.

continue upstream →
Bruce Springsteen1970s-80s · Rock / Heartland rock / Folk rock

For 2006's 'Sam's Town,' Flowers openly reoriented the band toward Bruce Springsteen's widescreen American rock, citing 'Born to Run' as a touchstone for its romantic, escape-from-a-small-town grandeur.

listen: upstream & here
1975
2006
When You Were YoungThe Killers

listen forPlay 'Born to Run' and then 'When You Were Young' — hear the same surging build, chiming instrumentation and yearning to break out of a dead-end town, Flowers reaching for a Springsteen-scale narrative sweep.

continue upstream →
David Bowie1970s · Art rock / Glam rock

Flowers is an avowed David Bowie devotee, and the band's taste for theatrical, glam-tinged grandeur and dramatic vocal delivery draws on Bowie's art-rock showmanship.

listen: upstream & here
1971
Life on Mars?David Bowie
2004
All These Things That I've DoneThe Killers

listen forCue Bowie's soaring 'Life on Mars?' next to 'All These Things That I've Done' — both swell from a quiet piano-and-voice opening into a huge, quasi-anthemic climax built on melodrama and a big theatrical vocal.

continue upstream →
← back to home