photo: 티비텐 tv10 · cc by 4.0 ↗Formed at JYP Entertainment and introduced through the reality survival show that gave them their name, Stray Kids built their identity around 3RACHA — the in-house writing-and-production unit of Bang Chan, Changbin, and Han — who write and produce the bulk of the group's catalog rather than relying solely on outside hitmakers. Their sound fuses maximalist trap and EDM drops with K-pop's vocal-and-choreography machinery into a self-described 'mala' (hot, numbing) intensity that carried them to a run of Billboard 200 No. 1 debuts. Since debuting in 2018, the eight-member group has become one of the biggest self-producing acts in K-pop.
Stray Kids have said outright that they were 'greatly influenced' by Epik High's music, and the debt shows in how 3RACHA builds tracks: rap verses doing real narrative work — confession, self-doubt, defiance — inside a pop structure, rather than rapping as pure ornament.
listen forCue up Epik High's 'Fly' and then Stray Kids' 'Hellevator' back to back — both ride a moody, rap-forward verse into a hook that's built for a mainstream stage, the same trick of smuggling hip-hop's confessional voice into a pop record.
Two Stray Kids members — Changbin and Felix — have named BIGBANG's G-Dragon as a personal role model, and BIGBANG's earlier model of an idol group whose own members write and produce maximalist, genre-scrambling hits is the template 3RACHA is working from.
listen forPut BIGBANG's 'Bang Bang Bang' next to Stray Kids' 'Thunderous' — both stack booming trap drums, blaring synth stabs, and a chant-along hook into the same kind of self-produced idol-group bombast.
Changbin has cited Kendrick Lamar as one of his personal role models; the dense internal rhyme schemes and aggressive, elastic cadence Kendrick is known for surface in Stray Kids' harder rap-forward tracks.
listen forPlay Kendrick's 'HUMBLE.' and then Stray Kids' 'S-Class' — both lean on a stuttering, staccato flow riding a sparse, bass-heavy beat rather than a sung melody.