photo: adweek · cc by 3.0 ↗Megan Jovon Ruth Pete grew up in Dead End, a stretch of Houston's South Park near DJ Screw's Screwed Up Click, tagging along to studio sessions with her mother, the local rapper Holly-Wood. "I was definitely listening to Pimp C, and I was listening to Biggie — those are my favorite rappers, so my mom really put me on a lot of good music," she said in 2017, before her name had left Houston. She kept freestyling through Prairie View A&M and Texas Southern University; viral clips built into 2019's mixtape Fever, which turned her alter ego Tina Snow into a household name. Her mother died of a brain tumor days after Fever's cover story ran; Megan kept working. After Tory Lanez shot her in the foot in 2020, she named him directly on her next album — the same refusal to soften anything that made her a star.
Megan's mother started her on Pimp C's records before she can remember, and by her teens she was digging through his catalog on her own. "'Take it Off' made me feel so confident and cool," she told Rolling Stone in 2019. "I was like, 'If a girl was saying this stuff, this will probably go even crazier!'" She built her breakout alter ego, Tina Snow, directly off Pimp C's own alias, Tony Snow. In 2024 the debt came full circle: UGK guested on her own album, Pimp C's verse arriving as a posthumous, previously unreleased feature.
listen forCue up UGK's "Take It Off," from 2001's Dirty Money, then Megan's "Freak Nasty" from the 2018 Tina Snow EP. It's the same unhurried, half-spoken Houston drawl she names as her direct model — matter-of-fact bragging about sex that never has to raise its voice to prove a point. Pimp C rides the beat like he's got nowhere to be; Megan's cadence stretches the same way, syllables dragged out rather than rapped, the confidence coming from pace, not volume.
"I grew up listening to Pimp C, Three 6 Mafia — all the raunchy music," Megan told XXL in 2018, and when her mother balked at how explicit her own lyrics were, Megan had a ready answer: "Mama, I was listening to Three 6 Mafia at 7, what are you saying?" Her 2019 breakout mixtape Fever makes the debt literal: "Big Drank" rebuilds its whole groove around a lift from Three 6 Mafia's own "Sippin' on Some Syrup," syrup-slow bounce and all.
listen forPlay Three 6 Mafia's "Sippin' on Some Syrup" against Megan's "Big Drank" and the lineage isn't subtle — "Big Drank" rebuilds its beat around a lift from the older track, the same murky, half-speed bounce carried straight through. Where the original passes the mic between Three 6 Mafia and guests UGK and Project Pat, Megan raps the same slowed-down, syrup-thick pocket solo, turning a group cut into a one-woman flex.
Megan's mother introduced her to Biggie's records as a kid, and his wordplay became a private writing-room test: "The way he puts his words together when I'm writing, I'm thinking, 'Would Biggie think this is cool?'" she told XXL in 2018. The debt turned pointed in 2020. After Tory Lanez shot her, she opened her album Good News with "Shots Fired," built around the same soul sample Biggie rode for his own diss record "Who Shot Ya?" Asked who chose that instrumental, she didn't blink: "Me. Y'all motherf*ckers so confused. I done told y'all who shot me but y'all motherf*ckers acting like 'we don't know.'"
listen forBoth tracks are built from the same 1973 David Porter soul sample — the same somber, stalking piano line that underscores Biggie's spoken threats on "Who Shot Ya?" reappears, slowed to the same menace, as the first thing you hear on Megan's "Shots Fired." She raps over its reputation as much as its sound: where Biggie used the instrumental to intimidate, Megan uses the recognizable sample itself as the accusation, daring listeners to place the song before she names the man.