JVKE (Jacob Dodge Lawson) is an American singer, songwriter, and producer from Rhode Island who built an audience on TikTok during the pandemic before his 2022 single "golden hour" — a churning piano hook wrapped around a slow-motion pop chorus — became a global hit. Classically trained on piano as a kid in his father's church, he layers Romantic-style piano writing and R&B-inflected vocal touches over hyper-modern, hook-driven pop production, straddling bedroom-pop intimacy and mainstream radio polish.
JVKE has said he "grew up playing Franz Liszt" during his classical piano training, and golden hour's signature keyboard hook plays like a compressed Romantic-era piano piece — a rippling, virtuosic figure that opens the song, keeps re-entering as the emotional anchor, and later got expanded into a full orchestral arrangement.
listen forListen for the cascading, rubato-tinged piano runs that keep building rather than settling into a fixed loop — the same Romantic pianism Liszt used to turn a solo piano piece into a swooning showpiece, just compressed into a pop hook length.
Puth was one of the first established pop hitmakers to co-sign JVKE, featuring on a 2020 remix of JVKE's breakout "Upside Down"; JVKE has since spoken admiringly of Puth's songwriting craft, and Puth's smooth, vocal-run-heavy, hook-forward pop instinct is audible in how JVKE constructs his own choruses.
listen forListen for the clean, close-harmonied vocal hooks and the small pitch runs that decorate the melody rather than replace it — the vocal-forward pop production Puth built his name on with songs like "Attention," filtered through JVKE's own piano-pop lens on their "Upside Down" collaboration.
JVKE has cited Frank Ocean's Blonde as one of his go-to records and said he built specific musical nods to Frank Ocean into "golden hour" itself, reaching for Ocean's hazy, unhurried vocal warmth inside an otherwise up-tempo pop single.
listen forListen for the softer, pitch-warped vocal texture and loose, conversational verse phrasing on "this is what falling in love feels like" — a hushed, blurry delivery closer to Ocean's register on tracks like "Pink + White" than to JVKE's bigger pop choruses.