photo: wingmaster247 · cc by-sa 4.0 ↗Felix Jaehn is a German DJ and producer who trained on violin as a child and studied production at Point Blank Music College in London before breaking through as a teenager with a 2014 remix of OMI's "Cheerleader," which topped the Billboard Hot 100 and helped define the mid-2010s tropical house sound alongside acts like Kygo. His run of hits, including "Ain't Nobody (Loves Me Better)" and "Bonfire," pairs a classically trained ear for melody with warm, song-first production that favors emotional pop hooks over aggressive club drops.
Jaehn directly credited Major Lazer as an inspiration behind "Bonfire," saying he'd "been really into their stuff lately" while making the track — pulling in the dancehall-flavored, carnival-bright energy Major Lazer built their sound around.
listen forThe bouncy, brass-inflected rhythm and skipping, dancehall-adjacent groove under "Bonfire"'s pop chorus nod to the horn stabs and bass patterns Major Lazer rode to crossover success on tracks like "Watch Out for This (Bumaye)."
Jaehn has called Avicii one of the first artists he looked up to as a teenager getting into production, saying he never met him in person but did remix one of his tracks — a direct line from Avicii's emotionally warm, vocal-driven build-and-drop songwriting to Jaehn's own melody-first approach to dance music.
listen forListen for how "Book of Love" leans on a simple piano-and-vocal hook and a soft, uplifting payoff rather than an aggressive drop — the same folk-tinged, feel-good build Avicii popularized on "Wake Me Up," trading big-room bombast for melody and emotion.
Jaehn has named Swedish House Mafia alongside Avicii as acts that "creatively stimulated" him at 15, right as he was starting to make his own tracks — part of the same Scandinavian big-room and progressive house wave that shaped his generation of European dance producers.
listen forThe soaring, festival-scaled vocal topline and steady, anthemic build on "Ain't Nobody (Loves Me Better)" echo the sing-along drops Swedish House Mafia popularized on "Don't You Worry Child" — the same big emotional payoff, just filtered through Jaehn's lighter, tropical-leaning production.