Arcade Fire formed in Montreal in 2001 around Win Butler and Régine Chassagne, a couple who met at a party and built a band whose early lineup kept dissolving and reforming until the classic six-piece — Butler, Chassagne, Richard Reed Parry, Tim Kingsbury, Jeremy Gara, and William Butler — coalesced for 2004's 'Funeral,' an album named for the string of family deaths that shadowed its recording. That debut turned grief into maximalist, string-and-horn-driven indie rock, and the band kept expanding its scope from there: 'Neon Bible' toward Americana and religious dread, 'The Suburbs' into a Grammy-winning song cycle about growing up in the sprawl, and 'Reflektor' into disco and Haitian rhythm, Chassagne's own heritage, produced alongside James Murphy.
Win Butler has repeatedly named Springsteen, and specifically 'Nebraska,' as the touchstone for 2007's 'Neon Bible'; critics greeted 'Keep the Car Running' as close to Boss-worship outright, and Springsteen himself joined the band onstage that October to sing it with them at a New Jersey show.
listen forSet the stark, arpeggiated 'State Trooper' next to 'Keep the Car Running' — both ride a tense, unresolving strum behind a narrator moving fast down a dark road, dread dressed up as a driving song.
Bowie was an early, vocal champion — he and David Byrne turned up at Arcade Fire's first New York headlining show, he sang backing vocals on 2013's 'Reflektor' after threatening (his word) to steal the song if the band didn't hurry up and finish it, and years later Win Butler pointed to 'plastic soul,' Bowie's own term for his mid-'70s blue-eyed-soul turn, as the direct spark for 'Age of Anxiety II (Rabbit Hole).'
listen forLine up 'Young Americans' with 'Age of Anxiety II (Rabbit Hole)' — both dress an anxious, almost breathless lyric in a slick, syncopated groove built on rhythm and horns rather than guitar strum, letting the arrangement's cool control work against the words' nerves.
Critics writing about 'Funeral' repeatedly traced Win Butler's nervy, off-kilter vocal yelp back to David Byrne, and the connection turned literal and mutual: Byrne joined Arcade Fire onstage for Talking Heads songs and later sang backing vocals on the band's own 'Speaking in Tongues,' a title that borrows directly from a Heads album.
listen forPlay 'Once in a Lifetime' against 'Rebellion (Lies)' — both build a wound-tight band around a repeated, half-chanted vocal hook that swells toward something closer to a group panic attack than a chorus.