photo: maximilian wild · cc by-sa 4.0 ↗In 2012, a sixteen-year-old in Bergen, Norway, downloaded Fruity Loops and started teaching himself production from online tutorials, with no formal training and no band, just a laptop and a small crowd of gamers on YouTube and Soundcloud. "I just made music in my bedroom," Alan Walker said of the year "Fade" surfaced with barely a thousand followers watching, "and that was the one thing that led to my breakthrough... it was all unexpected." Born in Northampton, England, and raised in Norway, Walker rebuilt that instrumental into 2015's "Faded," a melancholy, 90-bpm vocal reworking that became one of the decade's defining EDM hits and turned its masked, anonymous frontman into a festival-headlining name. What never changed was the method: influences found on forums and YouTube, absorbed rather than taught.
Asked in 2016 what inspired "Faded," Walker went straight to the source: "'Faded' is mainly built on my old track 'Fade,' which was inspired by Ahrix's track 'Nova.'" Nova, put out in 2013 by the Dutch producer through the free-music channel NoCopyrightSounds, gave a teenage Walker something to take apart in his bedroom — its vaporous synth builds and slow-motion drop are the template "Fade" borrowed wholesale, years before Walker had a label, a vocalist, or a mask.
listen forPlay Ahrix's "Nova" against "Faded" and the inheritance is direct: both spend nearly a minute on a hushed, filtered pad before resolving into the same weightless, tempo-slowed drop — the 90-bpm feel that became Walker's signature is Nova's blueprint, just dressed later in a vocal and a piano. The debt was still live in 2020, when Walker, K-391 and Ahrix rebuilt "Nova" together as "End of Time," which K-391 described simply as a way "to pay respect to all the music and producers that came before us."
Asked in 2016 to name his producer idols, Walker didn't hedge: "I would say that my producer idol is K-391, who has been a big inspiration and a part of creating my sound." Kenneth Nilsen, the Norwegian producer behind K-391, was more than a name Walker admired from a distance — by 2017 the two were collaborating directly, and when their first joint single dropped, Walker announced it himself on Twitter: ".@K391 is a huge inspiration and influence for me. I am so excited that 'Ignite' is now released!" The idolizing came first; the credit followed.
listen forCue K-391's 2013 "Dream of Something Sweet" beside "Ignite," the pair's first official collaboration, released in 2017: both ride a bright, major-key synth hook laid over a steady four-on-the-floor pulse, built to peak in one wide, triumphant drop rather than stacking melody after melody. It's the same architecture Walker was describing when he named K-391 his producer idol — an idol who, by the time "Ignite" topped Norway's charts, had become a co-writer on Walker's own records.
Walker has never dressed up the debt: "Since I was 9-years-old, Tiësto was obviously everywhere," he told Rolling Stone India in 2019. "He has always been a big inspiration and influence, and he has always been able to renew himself in the music industry." The admiration became mutual in 2015, when Tiësto — already electronic music's biggest crossover star — picked up the teenage newcomer's "Faded" and remixed it for his own tour, the kind of endorsement that told the rest of the EDM world to pay attention.
listen forNo single Tiësto track is on record as "Faded"'s direct blueprint, but the family resemblance is audible elsewhere: set "Adagio for Strings" beside "The Spectre" and both spend their first minute on a slow string-and-pad build before releasing into one wide, arms-up melodic peak — the main-stage architecture Tiësto pioneered in the 2000s and Walker inherited wholesale, trading Tiësto's orchestral sample for a synth lead of his own.